Subway Gem

NaJah Lewis performing in the NYC Subway - photo courtesy Buskrs.com

Not all gems are crystalline in nature, some are songbirds singing underground. 


It's rare that I hear someone on my daily commute in the city that stops me in my tracks.  NaJah Lewis is one who did.

Everyday commuters are romanced by musicians & entertainers of all kinds in the subways of New York City. Some talented, some, not so much. We hear and see everything from Mariachi bands, to opera singers, to dancers (often times, more exhibitionists than dancers ;), to the guy who enthusiastically sings early Beattle's tunes, sometimes hitting the notes, sometimes not - but always has a smile on his face and is joyful in what he does.  I appreciate these performers and applaud them for their courage in facing a not always enthusiastic or responsive audience.  After all, we're New Yorkers, we've got places to be - in a hurry.  Train delays, a long day at work - sometimes we just need to get where we're going or get home and have some dinner - or - finish the chapter we started reading before our stop comes! We are barraged by people asking for money on the trains - all the time.  Again, I respect these people for their courage and know it is not an easy journey for them.  You wish you could help all of them out with a dollar or some food but often times you're trying to make ends meet yourself.  All that being said, New Yorkers have mastered the mask of indifference. We won't look at the performer or panhandler, often times we won't acknowledge them even if we have enjoyed their performance or are moved by their speech. It's a tough reality but it is how it is. In a way, this mask is a survival tool in getting through the day in a packed metropolis of people, all wanting something.  After all, how much money can you give away?

NYC F Subway Train - photo by John Barnes, 2009

There are times, however, that I am so moved or delighted that I must respond, I must acknowledge. If someone can bring a smile to my face or soften a hard day, so much so that I forgot what was hard about the day, then they've got a special gift, in my eyes.

The first time I heard NaJah Lewis was about a month ago, when I was on the platform at 14th St. waiting for the F train, the second train I take on my commute each day. The F train is known for its delays and long waiting period between trains, which makes it annoying for commuters but great for performers as they get a nice chunk of time to perform, capturing the audience before the next train comes.  I arrived one morning and immediately was impressed with the voice I was hearing at the other end of the platform.  I couldn't see her from where I was but boy, could I hear her! I thought, wow, what is she doing performing in the subway? She should be famous already. I listened, from my spot, to beautiful songs accompanied by guitar. Earthy, heartfelt, soulful, powerful. A voice that reminded me of performers from the 60's & 70's, genuinely talented and making a go for it in the most authentic and humble ways.  And yet, a thoroughly modern voice. Influenced, yes, but completely her own. I didn't recognize any of the songs, so assumed they were her originals, which I found out later, many were.

Each day I would arrive and she'd be singing. Each day her singing made me feel good. Each day I was impressed and knew she would be big someday. I started to form a picture in my mind of what she looked like - not wanting to veer away from my strategic spot on the platform (always figuring ways to make the commute more efficient :). I imagined her to be a young, vibrant spirit with wild hair. It just seemed to fit the voice.  Finally, the other day I had a little extra time and thought, I need to see who this person is.  I walked down the platform and was not surprised to see that she looked exactly as I had imagined, but stylier! (word?). I took a picture with my phone but it didn't come out well.  I was not the only one taking pictures, recording her on smart phones and clapping enthusiastically when she finished a song. This is not normal behavior for most NYC commuters!  As she was singing, I went up to her, told her she was wonderful and put money in her guitar case.  She said thank you, with a smile, between the lyrics of her song.

NaJah Lewis performing in the NYC Subway - photo courtesy of Buskrs.com

Yesterday, I decided to look her up on the internet and see if there was any press, info about her, etc... She is definitely making an impact. She plays gigs around town, is being featured in an upcoming documentary about NYC subway musicians entitled Subway: The Musical, by Emmy award winning cinematographers Wolfgang Held & Pola Rapaport, she was filmed by BUSKRS.com, a website devoted to musicians performing in the subways of New York and has been selected as the voice for the Civil Rights Slide Show at the Smithsonian National Museum of African American History & Culture. There are also several youtube videos of her singing either her original songs or covers of some of the most popular pop songs out today.  In fact, it's quite funny because one of the songs she always sings in the subway is "Roar" by Katy Perry, however, she does it in such a way that it sounds like her own song.  Really beautiful. I may not be up on what's hot in pop right now but I have heard "Roar" before and frankly, I had no idea that that was what she was singing!

As my good friend Cherie Seymore, a singer/songwriter and long time veteran in the music industry always says - you have to pay your dues as a performer, put in the long hours, play the not-so-lucrative gigs in the beginning, be respectful of the ones who have come before you - then you will gain the wisdom and experience to write those amazing songs, touch people with your music and ultimately, change lives. I think that NaJah Lewis is on her way!  She is a genuine soul & talent.              
-And, I would like to thank NaJah for brightening my commute everyday! - for now, that is ;)

Check out the video of her singing "Roar" and like her on facebook to follow what she's up to and where she is performing.
NaJah Lewis facebook

ASJRA Jewelry Conference - Fall 2013

Crown of Margaret of York (1461-1474) - Now that's a crown!

I attended a wonderful, day-long jewelry conference  this month put on by the Association For The Study Of Jewelry And Related Arts (ASJRA).  Held at the majestic University Club on 5th Avenue with coffered ceilings, beautiful portraits and the air of another age.  A nice place to spend the day! 


-It was a full line up of speakers with subjects including: A History of Betrothal & Wedding Rings, Suffragist Jewelry, The British Crown Jewels, Hair Jewelry & Sentimentality, Jewelry Symbolism in a Medici Portrait, Highlights from the MFA Boston Collection & Jewels of an Ancient Egyptian Princess. There was more than that but I will just touch on one for now.

The British Crown Jewels
A great presentation by Curt DiCamillo on interesting stories, history & ownership of some of Britain's most famous jewels. Very dapper & funny, Mr. DiCamillo took us on a roller coaster ride of images & stories.  So much more interesting than the usual information out there about the jewels! Check out his website, above, to see all the fascinating things he's up to - including leading tours in Paris -  'Jewels & Ambassadors'.

Princess Anne

-Personal favorites of the Royals, such as Princess Anne's favorite Tiara. The Meander Tiara, of simple Greek key design, set completely with diamonds, a gift to Anne in 1972 from her mother Queen Elizabeth II.  The simple, more understated design suits Princess Anne perfectly.  It originally belonged to Princess Andrew of Greece & Denmark, the mother of Prince Phillip, the Duke of Edinburgh, and mother in law to Queen Elizabeth II. Princess Anne's daughter, Zara Phillips, wore the same tiara for her wedding to Mike Tindall in 2011.
  

The bejeweled cherub brooch, below, a favorite of Queen Victoria's. Set with emeralds, rubies, sapphires & diamonds, the design is based on the famous cherubs in the Sistine Madonna painting by Raphael.

QEII wearing George IV State Crown

-George IV State Crown History
The George IV State Crown was only worn once by the King, while walking the brief distance between Westminster Abbey where he was crowned and the coronation luncheon held just a few blocks away, in 1820. Made specifically for that short journey as a little something extra for the special day, he never wore it again. However, it has become one of the most recognized crowns in the world.  Not only was it worn by Queen Victoria, Queen Alexandra & the lovely Queen Elizabeth II, it also donned the first postage stamp back in 1840 and is featured on British coins & stamps still today.

Queen Victoria wearing George IV state crown

DiCamillo recommended a couple of books about Queen Elizabeth II that he thought we might enjoy. The Uncommon Reader (note the crown she's wearing on the cover :) & Dressing the Queen
I have not checked out either of these yet but plan to!

The conference was not only informative but fun and well run, in my opinion.  There were some top notch speakers, so many of which I would love to sit down and have a cup of coffee with!  My hat goes off to Yvonne Markowitz & Elyse Zorn Karlin for a job well done.  I will attend next year! Here is a list of the speakers.

I learned an incredible amount that day from all the presentations and will do future blogs on some of the subjects.

David Webb - Fall 2013

David Webb Salon, Madison Ave, NYC

It's been a busy fall with all kinds of fun and informative jewelry events, private workshop tours, talks & conferences.  Just getting the chance now to catch up and share! Follow my next several posts to see what I've been up to :)





September 2013  
David Webb - A private workshop tour followed by a slideshow & talk by Ruth Peltason, author of the newly released  David Webb - The Quintessential American Jeweler.

Webb Book Cover

An event that was hosted by the American Society of Jewelry Historians (ASJH), of which I'm a member. 

-Arriving at the petite jewelry salon was like walking into an exotic jewel box.  Nothing really visible from the street, making the inner domain feel like a privileged secret, only accessible with the right password.  Greeted and checked in, I perused my environment pleased with the rich jewel tones, the sumptuous shapes, the sheer size of some of these exquisite pieces.  There is no shyness evident in these designs - rather, a pure abandonment of what’s possible.  Immediately Liz Taylor comes to mind, that bold, undeniable beauty.  An era of jet-setting style that was carried off so well in the 60’s & 70’s - St. Tropez, Paris, New York.  Many of Webb's designs we see today in production are from those times past.  Apparently, a plethora of designs that were only made once or never are being produced again, or for the first time, Mark Emanual, co-owner of the firm, told us that evening. The designer’s love of color, enamel work, carved stones, ancient civilizations and the animal kingdom - make his work unlike anyone else in the jewelry world.  It's said that Webb made weekly pilgrimages to the Met, where he was inspired by the gold work of ancient civilizations. So much so that he created his own mixture of alloys, re-creating the rich colors of the past. 

Webb Earrings, image courtesy of Bergdorf Goodman

"I believe the things I make have museum quality and, hopefully, will last as long as the originals that inspired them."          David Webb

After taking in the gorgeous jewelry on the main floor salon, I was taken upstairs in a stylish elevator to the second floor where wine & snacks awaited.  Handed a glass of white wine, I headed for the entrance to the jewelry workshop where we were given a private tour of the inner workings of the Webb flagship store.  Here we watched bench jewelers working on pieces of jewelry in different stages of production.  Each jeweler working on one piece at a time, from start to finish - averaging app. 50 hours per piece.  This workshop, the only one in the world, provides all of the company's production of about 400 pieces per year.  One jeweler, who has proudly been with the company for 48 years, was polishing the inside of a wide gold bangle, telling us that it was his suggestion back in the 1970's that all pieces should look as good on the inside as they do on the outside - an idea that has been implemented ever since.  Fascinating to see the pieces actually being made in this pristine environment.  And after understanding how few pieces were made each year, I immediately had a greater appreciation for the exquisite jewelry and this company.  It also made me really want to own a piece for myself!

David Webb Coral, Diamond, Enamel & Gold Ring

A great talk followed by Ruth Peltason, a lively speaker with all kinds of interesting tidbits about how the book came into being and the journey along the way.  Her book, the first all encompassing book on Webb, is filled with wonderful photos, history, quotes and anecdotes about the designer, who passed away in 1975.  A book I would highly recommend. She has written several books on jewelry, including Living Jewels. She also worked with Elizabeth Taylor on Elizabeth Taylor - My Love Affair With Jewelry.

 I will sum up with a quote from his company.

"By his untimely death in 1975 he had established an incredible legacy."

For more information, go to David Webb